| VOIVOD 1996
bio by Yuri Jossa
Very few bands born in the early 80's have come
such a long way as french-canadian band VOIVOD have.
Originally belonging to one of the record labels that gave birth
to a musical movement that includes bands such as Slayer, Metallica
and Megadeth;
Voivod were clearly a part of that movement.
Soon after appearing in the compilation 'Metal Massacre V' and
releasing their first album, 1984's "War and Pain" (which
was recorded on low-tech 8 analog tracks)
the band started to branch out from the musical style (that would
eventually become various genres such as thrash metal, death metal,
speed metal, grindcore, etc.). and began to show unique conceptual
and musical interests in futuristic and technological issues.
By the time they released their second album "Rrroooaaarrr!"
in 1986, the band had already planned several albums into the
future, works such as their 4th album "Dimension Hatross"
released in 1988. In a matter of a few albums the musical influences
of 'outside-the-movement' bands such as King Crimson, had a big
influence in the sound of the band.
In 1989 after surviving the ordeal of having one of the band members
stricken with cancer (and being cured!) the band drew critical
acclaim by expanding their music by including a cover of a psychodelic
era, Syd Barrett song: 'Astronomy Domine' (from the first Pink
Floyd album 'The Piper at the Gates of Dawn') and by incorporating
the 'sound' into their own music, in their album "Nothingface,"
a fusion of dissonance, odd time meters & chordal structures
and lyrics that deal with isolationism in a technological age
and other subjects that are at home with the Cyberpunk movement,
long
before such thing was commercialized and popularized by the media,
and Hollywood.
Since then, VOIVOD continue to journey into the musical future
album after album, bringing the unexpected to their fans, musically,
visually and lyrically.
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